Vol. 2 No. 1 (2024)

Articles

• The Symbolic Strategies of Amédée VIII: A Utopian Vision Examined through Alignments and Artistic Representations

  Thomas Sylvand

  1-12

  DOI: https://doi.org/10.58721/jvpa.v2i1.441

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• Prisoners of Conscience: Music, Trauma, and Memory in Fẹ́mi Ọ̀ṣọ́fisan’s ‘Women of Òwu’

  Adéolú Ògúnsànyà

  13-32

  DOI: https://doi.org/10.58721/jvpa.v2i1.677

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• Exploring the Boundaries of Digital Popular Music Education in Kenya

  Veronicah N. Mwai, Mellitus N. Wanyama

  33-42

  DOI: https://doi.org/10.58721/jvpa.v2i1.755

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