Vol. 3 No. 1 (2025)

Articles

• Music and Cultural Exchange: Exploring Davido’s Contributions to Borderless Music

  Kadupe Sofola, Mellitus N. Wanyama

  1-10

  DOI: https://doi.org/10.58721/jvpa.v3i1.1189

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• Musical Narratives of Oil Exploration and Profit Manoeuvring in Post-Colonial Nigeria 1989-2022

  Olufemi Akanji Olaleye, Omolara Olasunbo Loko

  11-23

  DOI: https://doi.org/10.58721/jvpa.v3i1.1273

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• Talent versus Formal Education in Kenyan Music Production: A Critical Analysis of Value Perception among Industry Stakeholders

  Brian Bichanga Nyandieka

  24-34

  DOI: https://doi.org/10.58721/jvpa.v3i1.1289

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• Trends of Opera in Nigeria from Pre-Colonial to Contemporary Modernism

  Adeolu Abe, Jacob Olabode Falusi

  35-43

  DOI: https://doi.org/10.58721/jvpa.v3i1.1469

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• The Evolution of Digital Dance: Choreography in the Age of Motion Capture and Avatars, a case of Nairobi City County

  Freda Agata, Amon Kipyegon Kirui

  44-52

  DOI: https://doi.org/10.58721/jvpa.v3i1.1515

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• Reclaiming the Sonic Archive: AI, Data Sovereignty, and the Future of Mijikenda Music

  Linus Wechuli Odeke, Amon Kipyegon Kirui

  53-62

  DOI: https://doi.org/10.58721/jvpa.v3i1.1516

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• The Transformative Role of Artificial Intelligence in Enhancing Transparency and Efficiency in Music Royalty Distribution in Kenya

  Michael Jozee Ndongo, Amon Kipyegon Kirui

  63-74

  DOI: https://doi.org/10.58721/jvpa.v3i1.1517

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