Vol. 10 No. 2 (2020)

Articles

• EFFECTS OF APPROPRIATING LUHYIA MUSICAL STYLES TO THE AUTHENTICITY OF ANGLICAN HYMNS OF BUTERE DIOCESE, WESTERN KENYA

  Edward A. Omulupi, Nancy A. Masasabi

  1-26

  DOI: https://doi.org/10.58721/amo.v10i2.2

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• APPLICATION OF INFORMATION AND COMMUNICATION TECHNOLOGY (ICT) IN MUSIC AS A SUBJECT IN ONDO SECONDARY SCHOOLS OF ONDO STATE, NIGERIA

  D.O.A Ogunrinade, I.O Owolabi, B.O Shosanya

  27-50

  DOI: https://doi.org/10.58721/amo.v10i2.3

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• POETIC MEANING IMPLIED IN SUPRASEGMENTAL FEATURES IN SELECTED SEGMENTS OF THE SONG “GONGO LA MBOTO” BY DIAMOND PLATNUMZ AND MRISHO MPOTO

  Kanyi Thiong’o, David Barasa

  51-73

  DOI: https://doi.org/10.58721/amo.v10i2.1

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• DETERMINANTS OF MARGINALIZATION OF WOMEN IN THE KENYAN MUSIC EDUCATION SPACE

  Osoro Tabitha Kwamboka, Ernest Patrick Monte, Marciana Nafula Were

  74-96

  DOI: https://doi.org/10.58721/amo.v10i2.4

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• RETHINKING THE DYNAMICS OF YORÙBÁ DÙNDÚN MUSIC RESOURCE MATERIALS IN THE CONTEXT OF CLAUDIUS OLAYEMI OLANIYAN’S SCHOLARSHIP

  Kayode M. Samuel

  97-121

  DOI: https://doi.org/10.58721/amo.v10i2.5

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