Vol. 10 No. 2 (2020)

DOI: https://doi.org/10.58721/amo.v10i2
Published: 2021-10-16

Articles

  • EFFECTS OF APPROPRIATING LUHYIA MUSICAL STYLES TO THE AUTHENTICITY OF ANGLICAN HYMNS OF BUTERE DIOCESE, WESTERN KENYA

    Edward A. Omulupi, Nancy A. Masasabi
    1-26
    Abstract Views: 362
    DOI: https://doi.org/10.58721/amo.v10i2.2

  • APPLICATION OF INFORMATION AND COMMUNICATION TECHNOLOGY (ICT) IN MUSIC AS A SUBJECT IN ONDO SECONDARY SCHOOLS OF ONDO STATE, NIGERIA

    D.O.A Ogunrinade, I.O Owolabi, B.O Shosanya
    27-50
    Abstract Views: 485
    DOI: https://doi.org/10.58721/amo.v10i2.3

  • POETIC MEANING IMPLIED IN SUPRASEGMENTAL FEATURES IN SELECTED SEGMENTS OF THE SONG “GONGO LA MBOTO” BY DIAMOND PLATNUMZ AND MRISHO MPOTO

    Kanyi Thiong’o, David Barasa
    51-73
    Abstract Views: 368
    DOI: https://doi.org/10.58721/amo.v10i2.1

  • DETERMINANTS OF MARGINALIZATION OF WOMEN IN THE KENYAN MUSIC EDUCATION SPACE

    Osoro Tabitha Kwamboka, Ernest Patrick Monte, Marciana Nafula Were
    74-96
    Abstract Views: 491
    DOI: https://doi.org/10.58721/amo.v10i2.4

  • RETHINKING THE DYNAMICS OF YORÙBÁ DÙNDÚN MUSIC RESOURCE MATERIALS IN THE CONTEXT OF CLAUDIUS OLAYEMI OLANIYAN’S SCHOLARSHIP

    Kayode M. Samuel
    97-121
    Abstract Views: 530
    DOI: https://doi.org/10.58721/amo.v10i2.5