Vol. 11 No. 1 (2022)

Articles

• THE GLOBALISATION OF AFRICAN MUSICAL INSTRUMENTS: A CASE OF THE ADEUDEU OF TESO COMMUNITY IN KENYA

  Nancy A. Masasabi, Fred W. Kususienya

  85-99

  Abstract Views: 1454

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  DOI: https://doi.org/10.58721/amo.v11i1.79

• The Musical Art Creativity and Contributions of Isaac Idamoyibo to Okpe Discourse

  David Bolaji

  69-84

  Abstract Views: 408

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  DOI: https://doi.org/10.58721/amo.v11i1.115

• Negotiating Societal Crises through Eschatological Narratives in Yoruba gospel music: Notes from Evangelist J. A. Adelakun’s “Amona tete maa bo”

  Toyin Samuel Ajose

  Abstract Views: 278

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  DOI: https://doi.org/10.58721/amo.v11i1.83

• EFFICACY OF A MUSIC-BASED INTERVENTION ON ENHANCEMENT OF TREATMENT MOTIVATION AMONG CLIENTS WITH SUBSTANCE USE DISORDERS IN RESIDENTIAL TREATMENT IN KENYA

  Antony Chege, Beatrice Kathungu, Muchiri Karega

  Abstract Views: 607

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  DOI: https://doi.org/10.58721/amo.v11i1.55

• The Soldier, The Chapel, The Wedding and the Composer: Assessing the Works of Dufay and Saint Maurice of Savoy in the 15th Century

  Thomas Sylvand

  51-68

  Abstract Views: 463

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  DOI: https://doi.org/10.58721/amo.v11i1.91