Vol. 12 No. 2 (2023)

Articles

• Music as a medium for communication, education and information dissemination: enhancing resilience among urban dwellers in Zimbabwe

  Claudio Chipendo, Western Chimbudzi, Khulekani Face Moyo

  1-23

  Abstract views: 117

  https://doi.org/10.58721/amo.v12i2.255

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• The ritualistic nuances of Efumbo: The Mystical Bukusu Drum

  David Barasa, Lucy Mandillah, Lydia Anyonje, James Matseshe

  24-32

  Abstract views: 121

  https://doi.org/10.58721/amo.v12i2.256

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• Exploring the Big Four production styles and the recording industry in Zimbabwe

  Nomazulu Crystal Malandu, Richard Muranda

  33-42

  Abstract views: 97

  https://doi.org/10.58721/amo.v12i2.257

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• Decolonizing the African musical language and Identity through Onyeji’s ‘Research Approach to music composition’ in Nigeria

  Omotolani Ebenezer Ekpo

  43-55

  Abstract views: 130

  https://doi.org/10.58721/amo.v12i2.258

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• A survey on the uptake of software and hardware resources for music production in Zimbabwean contemporary music

  Absolom Mutavati, Richard Muranda

  56-64

  Abstract views: 121

  https://doi.org/10.58721/amo.v12i2.262

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• Transcending Space, Time and Culture through Intercultural Musical Dialogue

  KettyJackline Maina

  65-80

  Abstract views: 137

  https://doi.org/10.58721/amo.v12i2.342

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• Traditions and innovations in the liturgical music of the Cherubim and Seraphim Movement Church (Ayo ni o) Lagos state

  Omolara Olasunbo Loko

  81-89

  Abstract views: 87

  https://doi.org/10.58721/amo.v12i2.344

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• Free music streaming for Kenyan independent artists: A blessing in disguise?

  Amon Kipyegon Kirui

  90-102

  Abstract views: 214

  https://doi.org/10.58721/amo.v12i2.361

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