Vol. 12 No. 2 (2023)

DOI: https://doi.org/10.58721/amo.v12i2
Published: 2023-07-11

Articles

  • Music as a medium for communication, education and information dissemination: enhancing resilience among urban dwellers in Zimbabwe

    Claudio Chipendo, Western Chimbudzi, Khulekani Face Moyo
    1-23
    Abstract Views: 486
    DOI: https://doi.org/10.58721/amo.v12i2.255

  • The ritualistic nuances of Efumbo: The Mystical Bukusu Drum

    David Barasa, Lucy Mandillah, Lydia Anyonje, James Matseshe
    24-32
    Abstract Views: 347
    DOI: https://doi.org/10.58721/amo.v12i2.256

  • Exploring the Big Four production styles and the recording industry in Zimbabwe

    Nomazulu Crystal Malandu, Richard Muranda
    33-42
    Abstract Views: 401
    DOI: https://doi.org/10.58721/amo.v12i2.257

  • Decolonizing the African musical language and Identity through Onyeji’s ‘Research Approach to music composition’ in Nigeria

    Omotolani Ebenezer Ekpo
    43-55
    Abstract Views: 597
    DOI: https://doi.org/10.58721/amo.v12i2.258

  • A survey on the uptake of software and hardware resources for music production in Zimbabwean contemporary music

    Absolom Mutavati, Richard Muranda
    56-64
    Abstract Views: 468
    DOI: https://doi.org/10.58721/amo.v12i2.262

  • Transcending Space, Time and Culture through Intercultural Musical Dialogue

    KettyJackline Maina
    65-80
    Abstract Views: 547
    DOI: https://doi.org/10.58721/amo.v12i2.342

  • Traditions and innovations in the liturgical music of the Cherubim and Seraphim Movement Church (Ayo ni o) Lagos state

    Omolara Olasunbo Loko
    81-89
    Abstract Views: 272
    DOI: https://doi.org/10.58721/amo.v12i2.344

  • Free music streaming for Kenyan independent artists: A blessing in disguise?

    Amon Kipyegon Kirui
    90-102
    Abstract Views: 604
    DOI: https://doi.org/10.58721/amo.v12i2.361