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Vol. 13 No. 1 (2024)
Vol. 13 No. 1 (2024)
DOI:
https://doi.org/10.58721/amo.v13i1
Published:
2024-02-04
Articles
The Biguine, masked musical identity of the 1930: A Creole eruption without words
Thomas Sylvand
1-12
DOI:
https://doi.org/10.58721/amo.v13i1.413
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Primary school choir directors’ perceptions of motivation: Issues and way forward
Locardia Sango, Philemon Manatsa, Viola Nyemudzai Mugandani
13-22
DOI:
https://doi.org/10.58721/amo.v13i1.559
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The Past, Present and Future of chimazambi instrument of the Ndau people of Zimbabwe
Fortune Mbofana, Phineas Magwati
23-33
DOI:
https://doi.org/10.58721/amo.v13i1.563
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Preserving the nyunganyunga mbira tunes through teaching and learning of performance using Sibelius 7
Richard Muranda
34-44
DOI:
https://doi.org/10.58721/amo.v13i1.568
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Compositional militarisation of Nigerian art music for the orchestra in Ovaborhene Idamoyibo’s “Colonel Eru March”
Sunday Ofuani, Esther Nkechi Osadebe
45-74
DOI:
https://doi.org/10.58721/amo.v13i1.579
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