Vol. 13 No. 1 (2024)

DOI: https://doi.org/10.58721/amo.v13i1
Published: 2024-02-04

Articles

  • The Biguine, masked musical identity of the 1930: A Creole eruption without words

    Thomas Sylvand
    1-12
    Abstract Views: 382
    DOI: https://doi.org/10.58721/amo.v13i1.413

  • Primary school choir directors’ perceptions of motivation: Issues and way forward

    Locardia Sango, Philemon Manatsa, Viola Nyemudzai Mugandani
    13-22
    Abstract Views: 534
    DOI: https://doi.org/10.58721/amo.v13i1.559

  • The Past, Present and Future of chimazambi instrument of the Ndau people of Zimbabwe

    Fortune Mbofana, Phineas Magwati
    23-33
    Abstract Views: 580
    DOI: https://doi.org/10.58721/amo.v13i1.563

  • Preserving the nyunganyunga mbira tunes through teaching and learning of performance using Sibelius 7

    Richard Muranda
    34-44
    Abstract Views: 298
    DOI: https://doi.org/10.58721/amo.v13i1.568

  • Compositional militarisation of Nigerian art music for the orchestra in Ovaborhene Idamoyibo’s “Colonel Eru March”

    Sunday Ofuani, Esther Nkechi Osadebe
    45-74
    Abstract Views: 419
    DOI: https://doi.org/10.58721/amo.v13i1.579