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Vol. 14 No. 1 (2025)
Vol. 14 No. 1 (2025)
DOI:
https://doi.org/10.58721/amo.v15i1
Published:
2025-01-20
Articles
Tonality and Atonality of Speech Surrogacy as Resource for African Pianism
Seun Owoaje
1-13
DOI:
https://doi.org/10.58721/amo.v15i1.897
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An Analysis of Indigenisation Dynamics of Kenya Army Band Martial Music
David Ekal, Mellitus Wanyama, Joyce Mochere
14-25
DOI:
https://doi.org/10.58721/amo.v14i1.905
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From rebellion to revenue: Revisiting commercialisation and digital platforms in Kenyan political protest music
Amon Kipyegon Kirui
26-36
DOI:
https://doi.org/10.58721/amo.v14i1.957
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Let a Woman Conduct: Gender Dynamics in Church Choral Ministries within the Baptist Churches of Southwestern Nigeria
Oluseun Sunday Odusanya, Zacchaeus Adelere Adesokan, Damaris T’Oluwalope Aremu, Mary A. Niyi-Ojo, John Ade Aderogba
37-46
DOI:
https://doi.org/10.58721/amo.v14i1.983
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The Uptake of Live-streaming Technology among Zimbabwean Musicians and their Audiences
Louisa Mlambo, Wonder Maguraushe
47-55
DOI:
https://doi.org/10.58721/amo.v14i1.1007
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An analysis of Alick Macheso’s Music in Promoting Mediation and Conflict Resolution
Richard Muranda, Dorothy Goredema
56-64
DOI:
https://doi.org/10.58721/amo.v14i1.1017
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