Vol. 7 No. 1 (2017)

DOI: https://doi.org/10.58721/amo.v7i1
Published: 2021-12-08

Articles

  • “NONSENSICAL SYLLABLE”? AN INQUIRY INTO ITS RATIONAL IN SUB-SAHARA AFRICAN

    Sunday Ofuani
    Abstract Views: 366
    DOI: https://doi.org/10.58721/amo.v7i1.22

  • THE INDIGENOUS MUSIC OF CHRIST APOSTOLIC CHURCH IN NIGERIA AND THE DIASPORAS: A PROOF OF CHRISTIAN TRANSFORMATIVE MUSICALITY

    Femi Adedeji
    Abstract Views: 568
    DOI: https://doi.org/10.58721/amo.v7i1.27

  • REFLECTIONS ON INDIGENOUS AND MODERNIST PEDAGOGIES: THE CAUSATIVE FORCE OF REPETITION

    Meki Nzewi
    Abstract Views: 325
    DOI: https://doi.org/10.58721/amo.v7i1.25

  • ANALYSIS OF EDI EDISE: A COMPOSITION FOR AFRICAN ORCHESTRA

    Isaac E Udoh
    Abstract Views: 323
    DOI: https://doi.org/10.58721/amo.v7i1.23

  • ASSESSMENT OF MUSIC TEACHERS ON THE POOR PERFORMANCE OF WEST AFRICAN EXAMINATIONS COUNCIL (WASSCE) MUSIC PRACTICAL TEST

    Joshua A Amuah, Emmanuel Obed Acquah, Mary Priscilla Dzansi-McPalm
    Abstract Views: 434
    DOI: https://doi.org/10.58721/amo.v7i1.28

  • THE IMPACT OF DÚNDÙN DRUMMERS ON THE DEVELOPMENT OF TRADITIONAL MUSIC IN SOUTH WEST NIGERIA

    Atinuke Adenike Idamoyibo
    Abstract Views: 402
    DOI: https://doi.org/10.58721/amo.v7i1.26

  • ANALYTICAL STUDY OF HARUNA ISHOLA’S COMPOSITIONAL TECHNIQUES IN ‘INA RAN’

    Loko Olugbenga Olanrewaju , Loko Olasumbo Omolara
    Abstract Views: 394
    DOI: https://doi.org/10.58721/amo.v7i1.24