Vol. 7 No. 1 (2017)

Articles

• THE INDIGENOUS MUSIC OF CHRIST APOSTOLIC CHURCH IN NIGERIA AND THE DIASPORAS: A PROOF OF CHRISTIAN TRANSFORMATIVE MUSICALITY

  Femi Adedeji

  DOI: https://doi.org/10.58721/amo.v7i1.27

  • PDF

• “NONSENSICAL SYLLABLE”? AN INQUIRY INTO ITS RATIONAL IN SUB-SAHARA AFRICAN

  Sunday Ofuani

  DOI: https://doi.org/10.58721/amo.v7i1.22

  • PDF

• ASSESSMENT OF MUSIC TEACHERS ON THE POOR PERFORMANCE OF WEST AFRICAN EXAMINATIONS COUNCIL (WASSCE) MUSIC PRACTICAL TEST

  Joshua A Amuah, Emmanuel Obed Acquah, Mary Priscilla Dzansi-McPalm

  DOI: https://doi.org/10.58721/amo.v7i1.28

  • PDF

• ANALYSIS OF EDI EDISE: A COMPOSITION FOR AFRICAN ORCHESTRA

  Isaac E Udoh

  DOI: https://doi.org/10.58721/amo.v7i1.23

  • PDF

• ANALYTICAL STUDY OF HARUNA ISHOLA’S COMPOSITIONAL TECHNIQUES IN ‘INA RAN’

  Loko Olugbenga Olanrewaju , Loko Olasumbo Omolara

  DOI: https://doi.org/10.58721/amo.v7i1.24

  • PDF

• REFLECTIONS ON INDIGENOUS AND MODERNIST PEDAGOGIES: THE CAUSATIVE FORCE OF REPETITION

  Meki Nzewi

  DOI: https://doi.org/10.58721/amo.v7i1.25

  • PDF

• THE IMPACT OF DÚNDÙN DRUMMERS ON THE DEVELOPMENT OF TRADITIONAL MUSIC IN SOUTH WEST NIGERIA

  Atinuke Adenike Idamoyibo

  DOI: https://doi.org/10.58721/amo.v7i1.26

  • PDF