Vol. 14 No. 2 (2025)

DOI: https://doi.org/10.58721/amo.v14i2
Published: 2025-06-18

Articles

  • Contemporary Ideas in African Art Music Composition: An Exploration of the Vocal and Instrumental Works of Seun Owoaje

    Kadupe Sofola
    1-13
    Abstract Views: 578
    DOI: https://doi.org/10.58721/amo.v14i2.1093

  • Epistemics of African Music Performance: Navigating Knowledge, Tradition, and the Digital Frontier

    Amon Kipyegon Kirui, Mellitus N. Wanyama, Madimabe Geoff Mapaya
    14-24
    Abstract Views: 631
    DOI: https://doi.org/10.58721/amo.v14i2.1107

  • Education and Practice of the Creative Arts in the Age of Digital Technology

    Tolu Owoaje
    25-36
    Abstract Views: 406
    DOI: https://doi.org/10.58721/amo.v14i2.1123

  • Beyond Gaudeamus Igitur: Decolonising South African Graduation Ceremonies

    Madimabe Geoff Mapaya
    37-47
    Abstract Views: 193
    DOI: https://doi.org/10.58721/amo.v14i2.1128

  • From Roots to Reinvention: Evolutionary Trends in the Fuji Music of Wasiu Ayinde

    Tolu Owoaje, Kadupe Sofola
    48-58
    Abstract Views: 477
    DOI: https://doi.org/10.58721/amo.v14i2.1129

  • Exploring Midlands’ Gweru-brood Music Artists and Music Producers’ pursuits of career success in Harare

    Khulekani Face Moyo , Absolom Mutavati, Richard Muranda
    59-68
    Abstract Views: 395
    DOI: https://doi.org/10.58721/amo.v14i2.1139

  • The Uptake of Chromatic Marimbas by Learning Institutions in Zimbabwe

    Gideon Masamba, Wonder Maguraushe
    69-81
    Abstract Views: 300
    DOI: https://doi.org/10.58721/amo.v14i2.1208

  • Music Integration in Teacher Education: A Quantitative Descriptive Study of Trainer Music Skill in Abetifi Presbyterian College of Education, Ghana

    Kow Arkhurst, Richmond Amoh-Yeboah, Taylor Wisdom
    82-92
    Abstract Views: 306
    DOI: https://doi.org/10.58721/amo.v14i2.1520