Vol. 14 No. 2 (2025)

Articles

• Contemporary Ideas in African Art Music Composition: An Exploration of the Vocal and Instrumental Works of Seun Owoaje

  Kadupe Sofola

  1-13

  DOI: https://doi.org/10.58721/amo.v14i2.1093

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• Epistemics of African Music Performance: Navigating Knowledge, Tradition, and the Digital Frontier

  Amon Kipyegon Kirui, Mellitus N. Wanyama, Madimabe Geoff Mapaya

  14-24

  DOI: https://doi.org/10.58721/amo.v14i2.1107

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• Education and Practice of the Creative Arts in the Age of Digital Technology

  Tolu Owoaje

  25-36

  DOI: https://doi.org/10.58721/amo.v14i2.1123

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• Beyond Gaudeamus Igitur: Decolonising South African Graduation Ceremonies

  Madimabe Geoff Mapaya

  37-47

  DOI: https://doi.org/10.58721/amo.v14i2.1128

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• From Roots to Reinvention: Evolutionary Trends in the Fuji Music of Wasiu Ayinde

  Tolu Owoaje, Kadupe Sofola

  48-58

  DOI: https://doi.org/10.58721/amo.v14i2.1129

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• Exploring Midlands’ Gweru-brood Music Artists and Music Producers’ pursuits of career success in Harare

  Khulekani Face Moyo , Absolom Mutavati, Richard Muranda

  59-68

  DOI: https://doi.org/10.58721/amo.v14i2.1139

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• The Uptake of Chromatic Marimbas by Learning Institutions in Zimbabwe

  Gideon Masamba, Wonder Maguraushe

  69-81

  DOI: https://doi.org/10.58721/amo.v14i2.1208

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• Music Integration in Teacher Education: A Quantitative Descriptive Study of Trainer Music Skill in Abetifi Presbyterian College of Education, Ghana

  Kow Arkhurst, Richmond Amoh-Yeboah, Taylor Wisdom

  82-92

  DOI: https://doi.org/10.58721/amo.v14i2.1520

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