THE CREATIVE APPROACH TOWARDS AFRICAN IDENTITY: A SCHOLASTIC DISCOURSE IN HONOR OF AKIN EUBA

Authors

  • David Bolaji Department of Music, University of Port Harcourt, Rivers State, Nigeria

DOI:

https://doi.org/10.58721/amo.v9i2.30

Keywords:

Creative approach, African Pianism, Akin Euba, Nigeria Arts Music, African and Western Idioms and Piano Instrument

Abstract

This paper focuses on the works of ethnomusicologist and composer, Akin Euba. It examines how Euba projects African identity through his concept of African pianism. The paper explains that the concept provides the background for understanding how the European piano could be used to imitate traditional African musical principles and instruments in works that synthesize African and European elements. The research relies on published literature, the views of Euba, as well as analysis of selected works, mainly, his 'Scenes for Traditional Life'. The study draws attention to the pioneering approach towards expressing African identity in the world of Art Music as well as how Akin Euba’s innovative concept has influenced the younger generation of composers.

Downloads

Download data is not yet available.

Downloads

Published

2021-12-14

How to Cite

Bolaji, D. (2021). THE CREATIVE APPROACH TOWARDS AFRICAN IDENTITY: A SCHOLASTIC DISCOURSE IN HONOR OF AKIN EUBA. African Musicology Online, 9(2). https://doi.org/10.58721/amo.v9i2.30

Issue

Section

Articles

Similar Articles

<< < 3 4 5 6 7 8 

You may also start an advanced similarity search for this article.